Written 15 years ago. Seems so dated. And I don’t remember much about any of the shows mentioned — except Deadwood and the Sopranos, of course.
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Recently, I had lunch with a network executive (from one of the big three) who is a friend of a friend of an acquaintance.

It was not a long lunch, though it was clear that he'd read some of my blog and was very nice about it.

"What's it like to have done work that's been inducted into the NY Museum of Modern Art?" he asked.

I gave him my standard line: the best part about it is that if any of my kids (or my kid - who really knows) get in to Harvard I can always say, "So what? Until you're in MOMA, that's nothing." It was a quintessentially Irish answer and very, very Walsh. (I can hear my Dad in that quip.)

He confessed that while he'd received my play, my screenplay and my spec TV script, he hadn't read any of them. Which was cool with me because these days, I've yet to find anyone who really has the time to read. That he was meeting me at all was a total fluke and more than generous on his part.

It was indeed a favor.

Then he asked what television I was watching. DEXTER, THE SOPRANOS (even though it's over), FRIDAY NIGHT LIGHTS. I said I'd enjoyed the first third of HEROES but that I'd fallen behind somewhere and that when I got back to it, it was so convoluted with so many stories I couldn't follow it. I said I had been peeking at the new JOHN FROM CINCINNATI which had been intriguing but that I was also having trouble following along. Finally, I noted the show DAMAGES which at the time was to start soon with Glenn Close. (I missed it, by the way, but am hoping to catch it on the rebroadcast this Sunday.) Finally, I mentioned THE TUDORS which for some reason hasn't hooked me the way it promised to.

He commented that at least some of the shows I was watching were still on and that he was tired of meeting writers who gushed about DEADWOOD.

I volunteered that I understood why people would mention it. It certainly was a gush-worthy show.

He asked why I'd written a MEDIUM spec. I told him why the DuBois family interested me - the focus on her job even though he's a Rocket Scientist, the way Allison's girls affected the flavor of the show, the way the whole family seemed to be a pretty good metaphor for the way most Americans are making ends meet. I made my way back to the beginning by saying that while I wasn't sure I loved the way the show was produced (they're always whispering), the scripts at the WGA were great reads from start to end.

I asked him what he looked for in new writers. He said, "I look for people who are interesting. People who don't just watch TV. When you come into my office, don't have the same conversation that everyone has. Talk about something different."

I knew what he meant, but since our conversation was already the same as everyone else's I didn't know what he meant at all.

We chit-chatted a little more and then the check came. We split the bill and went our separate ways.

Nice guy. Though, when I reflect on the meeting, well, I have to say, I somehow don't think I'll be hearing from him again. But all in all, that's all right